Prunella Scales: Beginning with Fawlty Towers to Great Canal Journeys
The celebrated actress Prunella Scales, who died at 93 years old, was considered among Britain's most brilliant comedic performers.
Despite a long and distinguished career on stage and screen, she will inevitably be remembered as the unforgettable Sybil Fawlty in the 1970s TV comedy, Fawlty Towers.
It was Sybil's mission in life to keep tabs on her "stick insect" husband Basil - played by John Cleese - between telephone chats fueled by cigarettes with her companion Audrey.
She was tasked to placate guests who had been yelled at, totally ignored or, in some cases, physically confronted by Basil when in one of his more manic moods.
Her unforgettable cackle, extraordinary hairstyle and intense anger were components of a meticulously crafted persona that stands as a comic masterpiece.
Although numerous performers would have removed themselves from excessive identification with one particular character, Scales always expressed her delight in having been part of the Fawlty Towers phenomenon.
Early Life and Career Beginnings
Prunella Margaret Rumney Illingworth came into the world in the Guildford area on 22 June 1932.
She belonged to a household profoundly passionate about the theatre - her mother being, Bim Scales, an ex-actress who'd abandoned her career for marriage and children.
Intelligent and studious, following evacuation during the war to England's Lake District, Prunella attended Moira House Girls School in the coastal town of Eastbourne.
During 1949, she won a scholarship to the Old Vic Theatre School and - after two years - secured a position as an assistant stage manager.
This was to the fury of her former headmistress in her hometown, who had hoped she would apply to Cambridge University and wrote to the theatre to express this opinion.
At drama school, Scales had been thought of as a developing character performer instead of an obvious Juliet.
"Everyone aspired to resemble Audrey Hepburn," she later told her biographer, "but I wasn't attractive and nobody fancied me."
The youthful Prunella also hid her privileged background, aware that directors were beginning to look for authentic working-class realism in performers.
But she started picking up minor parts in theatrical productions, and, while rehearsing for a part at Worthing's Connaught Theatre, she met Andrew Sachs, who would later star as Manuel the Spanish server, in the famous series.
Her initial television exposure occurred in the year 1952, as the character Lydia Bennet in a BBC production of Pride and Prejudice, which included actor Peter Cushing - better known for his roles in horror movies - as Mr. Darcy.
Her initial film appearances followed the next year - in lighthearted romance, Laxdale Hall, and David Lean's Hobson's Choice, opposite the renowned Charles Laughton.
Throughout the latter 1950s and early 1960s, she was rarely out of work - appearing on stage, film and television, including a brief stint as a bus conductor, character Eileen Hughes, in Coronation Street.
She also met colleague Timothy West.
Following what she characterized as "a mild Times crossword and Polo mints flirtation", they became a couple, and wed in 1963.
Career Milestones and Defining Characters
Her major television opportunity came with the series Marriage Lines, a BBC sitcom about recentlyweds, George and Kate Starling.
Scales appeared opposite actor Richard Briers, at that time a major celebrity in TV humor. The show proved hugely popular and continued for five seasons.
Subsequently arrived Fawlty Towers, which propelled her to iconic status.
John Cleese and his spouse at the time, Connie Booth, had presented the initial screenplay of Fawlty Towers to the BBC.
Actress Bridget Turner had been approached to play the Sybil role but she declined the part and Scales tried out for the character.
She subsequently recalled that Cleese maintained high standards.
"John, appropriately, demanded strict script adherence, and failure to comply would understandably provoke his irritation."
Only 12 episodes were ever made.
The initial season, which aired in 1975, didn't immediately attract massive viewership but, as it continued, its comedic combination of ridiculous physical comedy and awkward circumstances grew in popularity.
Scales carefully considered about portraying Sybil Fawlty, and determined that her social background had to be inferior to her husband Basil's.
At first, the creators had doubts regarding the treatment.
"After witnessing the initial read-through," recalled Scales, "they were sold on the idea."
In subsequent years, she frequently found herself, called upon to play "dragons" and "old bags" when she desired elegant characters.
However when questioned about her career pinnacle, Scales had no hesitation in selecting Sybil Fawlty.
"The role presented challenges," she maintained, "but I'm still proud of it." She even thought it helped get audience members into performance venues.
"I believe that audience familiarity with one performance encourages attendance at others," she expressed.
Later Career and Personal Life
After Fawlty Towers, Scales continued to work in television, comprising a stint as character Elizabeth Mapp in ITV's Mapp and Lucia.
Her voice was also regularly heard on radio, notably the BBC Radio 4 sitcom, which later transitioned to TV, and the series Ladies of Letters, with Patricia Routledge, which became an intrinsic part of Woman's Hour.
Scales performed at two major royal roles; as Queen Elizabeth in the television drama of Alan Bennett's A Question of Attribution, and as Queen Victoria in a one-woman show that she presented four hundred times.
She obtained correspondence from one of Queen Elizabeth's security men who admitted that when Scales came on stage, he rose to his feet.
"It was a knee-jerk reaction," she explained. "The experience delighted me."
In 1995, she began starring as character Dotty Turnbull in television commercials for supermarket giant Tesco - which compensated her partially with shopping credits.
The advertising series, which continued for nine years, was identified as the primary reason in propelling it to market leadership in the mid 1990s.
Scales subsequently faced moderate critique for taking part in the Tesco adverts, when she supported an initiative to prevent neighborhood store closures in her London community.
Among her most accomplished roles appeared in Breaking the Code, the film about World War II cryptanalysts.
She appears as the mother of Alan Turing, who embodies a society that criminalized same-sex relationships, a perspective that contributed to his tragic end.
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